Harbour Forms III (Blue Edge) Joanne Freeman moving on to the next

moving on to the next while the paint dries on the last

The squares themselves are fashioned by a process of finding regular squares within the fluid lines of a freehand grid that run through the textured paintwork

all seasons

Based on jazz pianist Herbie Hancock ºs classic composition “Dolphin Dance”

therefore the geometry is a bit wonky and imperfect

Harbour Forms III (Blue Edge) Joanne Freeman moving on to the nextAnnear works with oil, building images from layered shares and creating complex surface textures. He incessantly explores the relationship between the abstraction and paint, focusing on deciphering the relationship between the natural environment expressed in his earth tones and raw primary colors.