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Painted with shellac
The piece invites reflection on the beginning of life in a world where the biological and the technological can no longer be clearly separated
Oskar faces the mistrust of the inhabitants
The museum-like pedestal emphasizes the sacred and enigmatic nature of the piece
The delicate blue patterns over the white surface evoke ancient ceramic designs
Creu Florida Print Painted with shellacA reinterpretation of the cross through a more symbolic and ornamental language, where the figure of Christ is integrated into a stylized and decorative structure. The body dissolves as a complete form, leaving the face as the expressive core, held within an almost architectural space. The polychromy, rich in blues and floral motifs, transforms the cross into an object of quiet contemplation. Sculpture modeled in fine grog refractory clay and
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