Ondulation Stricte mixed media This artwork uses larger areas

This artwork uses larger areas of color to reinforce a steadiness

Joan Mitchell

Each successive painting took on its own identity completely apart from the source materials

This artwork plays with an ambiguity alternating between architectural interior and something that appears to be a protruding form

building up to 20 coats of very thin matt paint to achieve the same saturation as her previous works with raw acrylic pigments

Ondulation Stricte mixed media This artwork uses larger areasGuillaume Moschini is a French abstract artist mentored by the internationally recognized Supports Surfaces artists Claude Viallat, Patrick Saytour, and Vincent Bioules. Much like Helen Frankenthaler, Moschinis work depends on process: unprimed, raw canvas, a diluted pigment (mixed inks, acrylics, and paint thinners), and the unconscious phenomenon that occurs through the process of art making.