Brice Marden: The Grove Group Sophie Cavoulacos The exhibition examines some of

The exhibition examines some of the ways in which artists have approached this condition by confronting the accelerated flow of images in contemporary media culture and the proliferation of “non-places” that we increasingly inhabit

this iconic self-portrait captures both the artist’s inner thoughts and his outwardly projected identity

This poster featuring a detail from the painting Focus (2022–24) was produced in 2026

the exhibition featured twenty-three paintings that trace an evolution from the densely layered surfaces of the late 1970s and early ’80s to the clean

This poster featuring Self-Portraits at Larry’s (2018) was produced in 2018

Brice Marden: The Grove Group Sophie Cavoulacos The exhibition examines some ofThis book was published on the occasion of the exhibition Brice Marden: The Grove Group at Gagosian, 980 Madison Avenue, New York. Following a trip to Greece in the early 1970s, Marden developed a unique method of adding beeswax and turpentine to oil paint and applying the mixture in multiple thin layers to heighten the effect of each color, plane, and brushstroke in a painting. He employed this technique in the abstract Grove Paintings (197276), a