Ed Ruscha: Bow-Tie Screwhead Shanay Jhaveri discussing their evocation of the

discussing their evocation of the natural environment and painterly process

an essay by Arnauld Pierre considers the importance of the stabile in Calder’s work

this limited-edition oval platter features a reproduction of his sculpture Ushering in Banality (1988)

Takashi Murakami’s New Day initiative began as an open call for visual responses to the disaster

served as a dramatic setting for the first presentation of Grotjahn’s Capri paintings

Ed Ruscha: Bow-Tie Screwhead Shanay Jhaveri discussing their evocation of theEd Ruscha created Bow Tie Screwhead in collaboration with Universal Limited Art Editions, New York, in 2003. It is from a series of prints titled Bow Tie Landscapes. Printed on heavyweight Somerset velvet paper, it depicts a mirrored image of Californias desert outcroppings overlaid with a motif consisting of two white screws joined at their tips. Its silhouetted shape acts as a positive image, while the landscape behind forms a curious kind of