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performative
How do we change our perspectives on ‘nature’
This is double negative production: twice the same
The Ice Plant (Los Angeles)
with the central focus on his filmic collages
Giasco Bertoli – Tennis Courts IV Emblem performativeIn the winter of 1999, I began to take photographs of empty tennis courts private, public, old, new, abandoned. Over the next twenty three years, I made thousands of photos of these courts. Tennis Courts IV is the fourth and last volume dedicated to this series. The number four is an intrinsic part of the DNA of tennis: It's the maximum number of players in a doubles match and the fewest amount of points it takes to win a game. Tenniss four biggest
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