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Inspired by wig mannequins in display windows that Adams encounters in his Brooklyn neighborhood
the artist’s debut exhibition with the gallery and her first in Italy
Avedon and Warhol straddled commercial and fine art realms
which are isolated against white
Using pictorial sources such as trading cards
Edmund de Waal: The White Road: Journey into an Obsession Hiropon Factory Inspired by wig mannequins inEdmund de Waal has long been captivated by porcelainits fragility, translucence, tactility, and whiteness. After a lifetime of making his own pots, he embarks on an unforgettable journey to the white hills of China, Germany, England, and the United Statesplaces where porcelain was invented, or reinvented out of a seemingly mystical longing. Setting out from his South London studio, de Waal travels first to Jingdezhen in Chinathe birthplace of
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