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career-spanning account of Rick Lowe’s art and social practice
notably the Course of Empire series (Ruscha’s contribution to the 51st Biennale di Venezia in 2005) and the Psycho Spaghetti Western paintings
projected light environments from the Ganzfeld series
and an essay by Carol Armstrong that traces compositional polarities and synergies through Frankenthaler’s output of this era
twelve months after she and the artist first met in Paris
Willem de Kooning: Abstract Landscapes, 1955–63 Woodcut career-spanning account of Rick Lowe’sThis book was published on the occasion of the exhibition Willem de Kooning: Abstract Landscapes, 195563 at Gagosians former gallery on West 23rd Street in New York. The selection of large scale gestural abstractions by the leading Abstract Expressionist traces a stylistic trajectory that critic Thomas Hess characterized as a sequence from Abstract Urban Landscape and Abstract Parkway Landscape through Abstract Pastoral Landscape. The catalogue
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