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Alison Knowles
Kathrin Dreckmann
a woven tent where the artist dressed as a mage encounters visitors to share their traumas
technological advancements
in which the artist projected an image of the famous painting on top of a female model
Simnikiwe Buhlungu – besides Puleng; dontsa-ring and roving preoccupations Centre for Contemporary Photography Alison KnowlesIn her most expansive publication to date, Simnikiwe Buhlungu takes the site of the ubiquitous water puddle as her starting point. With contributions from musicians, artists, curators, and scientists from around the world, the publication draws upon research related to hygrosummons (iter. 01) commissioned by Chisenhale Gallery, London and Kunstinstituut Melly, Rotterdam and gathers an intertextual conversation around the literal and metaphorical
