Sans titre, M. Bertillon Rare Books Tsuzuki chooses seventy-three love hotel

Tsuzuki chooses seventy-three love hotel rooms to profile for their retro decor in all its erotic glory and quirkiness—decor that

The work is meant to honor time and capture the energy of the locals in which the exposures occur

In reaction to the present-day view diminishing the value of forests to mere ‘resources’

Marina Bezrukova

made physical in the shape of the Revolve:R bookwork

Sans titre, M. Bertillon Rare Books Tsuzuki chooses seventy-three love hotelCondition: cover damaged with a tear By fixing the form of identity, Alphonse Bertillon modified our faces. From an eminently personal element, he made a tool of the State, an instrument of identification: a gridded, readable, occulted, talkative, divided, synthetic surface; a necessary, sufficient summary of the multiple realities of an individual. From this heritage, on the surface of every one of our contemporary faces, established as interfaces