Carol Bove Osei Bonsu an essay and note to

an essay and note to the reader by Tiffany Bell

The exhibition presented Ruscha’s own version of Kerouac’s Beat bible—a leather-bound book that includes the full text accompanied by black-and-white photographic illustrations that refer closely to details from the story

which were once contained in a notebook

the exhibition was her first museum survey in the United States and the first in the Norton Museum’s Recognition of Art by Women (RAW) exhibition series

presented by Gagosian and organized by the Public Art Fund and Tishman Speyer

Carol Bove Osei Bonsu an essay and note toThis book was published on the occasion of Carol Bove at the Solomon R. Guggenheim Museum, New York, the first museum survey of the artists work. Curated by Katherine Brinson with support from Charlotte Youkilis and Bellara Huang, the exhibition traces key shifts across Boves twenty five year career, which encompasses works ranging from delicate assemblages and collages to large scale steel sculptures. Throughout, Bove investigates the workings of