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Gregory Crewdson: Sanctuary (Untitled III) Pure+Applied Ed Ruscha considers the paintings

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Ed Ruscha considers the paintings of Thomas Cole

his oeuvre in general—and this body of work in particular—belies this allegiance by actually turning the logic of the readymade on its head

the exhibition—the first survey of prints by the artist—traced the evolution of his unique visual vocabulary through his printing practice

and works by Gursky’s father and grandfather are included to illustrate the long photographic tradition in his family and draw reference to Leipzig

The Lovers

Gregory Crewdson: Sanctuary (Untitled III) Pure+Applied Ed Ruscha considers the paintingsThis limited edition includes a clothbound copy of the catalogue Gregory Crewdson: Sanctuary, published by Abrams, and one of three color production stills created during the making of the 2010 photographic series, both encased in a specially designed box. The book features an essay by New York Times film critic A. O. Scott. Sanctuary, a group of forty one black and white photographs, was shot on location at the legendary Cinecitt studios in Rome. The

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