“The heroine Paint”: After Frankenthaler Helen Hsu paying particular attention to his

paying particular attention to his use of hair

This book was published on the occasion of Jennifer Guidi: Heliocentric at Gagosian

The image on this poster is drawn from a group of McEwen’s paintings that interpret the style of sketched line drawings

a meditation on the adaptability of Haruki Murakami’s prose

This limited-edition print by Takashi Murakami reproduces his painting 108 Earthly Temptations (2021–22)

“The heroine Paint”: After Frankenthaler Helen Hsu paying particular attention to hisTaking Helen Frankenthalers 1950s New York debut as its starting point, The heroine Paint: After Frankenthaler, edited by Katy Siegel, follows Frankenthalers own painting practice as well as the immediate influence of her work on other artists, tracing artistic currents gathered under her name as they move outward in different directions over time. The book features scholarly essays, texts from contemporary artists, and reprints of historical writing