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The exhibition and publication testify to the artist’s lifelong exploration of the role of technology in culture
Some of the works allude to landscape
these sculptures incorporate visual puns and art historical footnotes that embody their creator’s preference for counterpoint and fugue
Submerged within vigorous gestural abstractions are scenes in which tangles of flesh dissolve into sensuous textures—flickering figures are enfolded in vivid landscapes and a yawning orifice opens up in a sea of deliquescent color
this image brings together an eclectic combination of motifs around a central figure
Taryn Simon: The Innocents (2000–2003) Ulf Linde The exhibition and publication testifyTaryn Simons earliest body of work, The Innocents (2003), documents stories of individuals who were incarcerated for violent crimes they did not commit. The project stands as both a photographic record of some of the earliest DNA based exonerations in the United States and a searing indictment of Americas criminal legal system. The Innocents interrogates photographys credibility as an arbiter of justice. People suspected of committing crimes are
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