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Broken Relations: Infrastructure
an earth eater and an architecture theorist: they enter unknown grounds
Seiichi Furuya’s Dresden photographs from 1984/85 are a most unlikely document — a view of daily life in the latter days of the GDR recorded by a Japanese photographer
the intersecting threads connecting science
providing a virtual prelude to the conversations that unfolded and invited readers to co-create a communal space even before stepping into it
Auto-Photo: A Life in Portraits Real Review Broken Relations: InfrastructureVery little about the photobooth experience has changed since its inception in the early twentieth century. There is a particular charm to its inherent simplicity and repetition. The framing is fixed, as is the lighting, backdrop, and time between photographs. Only we, the subject, are the ones that change. Co published by Perimeter Editions and the Centre for Contemporary Photography, Auto Photo: A Life in Portraits tells the story of Alan Adler, a
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