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A hundred images to shape an unexisting place Magazines as many other photographers before

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as many other photographers before him because the subjects were exotic and relatively easy to approach

There are many possible explanations for these geographical fictions: geopolitical and economic interests

the publication engages the physiological nature of disorientation while calling into question the mutability of time

Simon Njami

The results of this collegiate research will be brought together in a book

A hundred images to shape an unexisting place Magazines as many other photographers beforeIs it possible to go beyond the subjectivity of the speakers experience to fully discern the identity of a place? What is identity? When we take pictures we not only decide to focus on something but we frame it as well. When we wander around a city our attention is caught by unique details or reoccurring patterns. Then our mind makes connections. Are a hundred images enough to shape the identity of a place? Photographs by Francesco Paleari.

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