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Lucy’s esteemed ear for ghostly haptics serves to search out an underlying poetry in the ubiquitous and everyday
‘Drums’
With 7-inches being the era’s vehicle for buzzing communiqués
He had classical music training in piano
A kind of modernist deconstructed rock made in what seemed at the time to be an almost mechanically precise way
SATSUKI SHIBANO - Wave Notation 3: Erik Satie 1984 DLP Rock Lucy’s esteemed ear for ghostlyThe first official worldwide reissue of Satsuki Shibanos Wave Notation 3: Erik Satie 1984, the final album from the sound defining Wave Notation environmental music series curated by Satoshi Ashikawa. Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawas own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982). The highly sought after album, sourced from the original master tape, is available as
