Che had invited her when they met at the end of 1962 in New York
is an example of that latter discipline
Kent and Haldimand-Norfolk Counties
the photographer captured segregation and racial inequality in the country during the mid-1960s
and get the hell out of here while I still have the film
Magnum Poster: London, England, 1964 Framing:Unframed Che had invited her whenIn the dim glow of an underground nightclub on Cable Street, East London, a couple dances in motion blurred eleganceher white dress sharply outlined against the shadows, his form mid step. In the background, a man leans over a glowing jukebox, its light casting a modern glow across the wooden floor. Captured in 1964, Ian Berrys photograph evokes the charged intimacy of nightlife in postwar Britain, where style, secrecy, and rhythm converged in