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Guille and Belinda go through the childhood rites of dressing up and make believe
to photograph some of the poorest communities across the US
Burri captures a moment that feels at once observational and orchestrated—a portrait of modernity suspended between order and abstraction
the image is a meticulously staged moment of chaos and creativity
he and his runners-up took to the medals stand wearing Black Panther-style berets and with raised fists but lowered their fists during the national anthem
Magnum Editions: On board the Spanish trawler “Rowanlea”, 1998 Framing:Unframed Guille and Belinda go throughOver 14 years, French photojournalist Jean Gaumy captured the fierce conditions facing the fishermen who worked on open deck trawlers, capturing the harsh reality of life at sea. In an extract from Pleine Mer: Men At Sea, Gaumy wrote of his time on board the boats, being hurled when the boat dives, the steep and greasy stairs we climb become a pestle as we go over a wave. The iron airlock. The sticky air of diesel vapors. The large linoleum imitation
