Imi Knoebel – Keilrahmen günther uecker In Out Cold

In Out Cold

In New York

Peyton has described printmaking as generative rather than secondary: "Often I'll make a work after something I make in the print studio

Medium: Screenprint on card

montrer et nommer

Imi Knoebel – Keilrahmen günther uecker In Out ColdImi Knoebel's Keilrahmen (1968 89) is a wooden multiple that pushes minimalist reduction to its logical extreme. Following Malevich's reduction to the black square and Robert Ryman's elimination of subject matter and color, Knoebel removes the canvas altogetherleaving only the stretcher frame with four wooden wedges positioned as sculptural elements. This radical gesture embodies Knoebel's conviction that "everything has been done already. () If you