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institutional power
and handwritten notes—motifs that have become synonymous with both the Grateful Dead’s imagery and Lang’s own visual language
and later expanded to cities including Shanghai
reduced to a solitary sphere adrift in infinite darkness
Hand-signed and numbered in an edition of 75
Ai Weiwei – To Be Looked At… ellsworth kelly institutional powerTo Be Looked At (2024) by Ai Weiwei takes the form of a cluster of surveillance cameras cast in aluminium, a material that lends the work an austere, industrial presence. By transforming the architecture of control into a collectible artwork, Ai Weiwei positions the piece within the realm of political art, using its sculptural form to critique the normalization of state surveillance and its impact on individual freedom. Produced in an edition of 200,
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