Leighton | Martin: Masses for Double Choir Louise McMonagle three imaginative young artists bring

three imaginative young artists bring fresh voices to the feast

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but David Bednall does just that…The results are impressive…Bednall’s setting is constantly evolving and shifting in perspective

Ideas recombine and propel themselves forward

Among them are these three suites for solo cello

Leighton | Martin: Masses for Double Choir Louise McMonagle three imaginative young artists bringSUMMARY TRACK LISTING REVIEWS INFO In the 1920s Frank Martin, a Swiss Calvinist by upbringing, created a radiant Latin setting of the Mass for double choir, only to return it to the bottom drawer, considering it to be a matter between God and myself. It was finally released for performance forty years later, around the same time that the Edinburgh based composer Kenneth Leighton made his own double choir setting a work with moments of striking