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Burroughs and Debbie Harry photographed in New York City in 1980 by Bobby Grossman
defined by the stark geometry of a black-and-white checkered floor—an element that underscores the constructed visual language of their mid-1980s period
David Johansen was a crucial bridge between the glam excess of the early 1970s and the punk explosion that followed at CBGB and Max's Kansas City
and photographers gathered there as punk
produced with archival pigment on museum-grade photographic paper
Debbie Harry, Best of Blondie Session II, 1981 NYC 1976 Burroughs and Debbie Harry photographedA second frame from Martyn Goddard's 1981 Best of Blondie studio session, Debbie Harry's face resting against a black vinyl record marked with a red lipstick kiss, her eyes lined in electric blue. Where the companion image plays it for laughs, this one is all cool glamour, the disco era Blondie look distilled into a single, poised portrait at the peak of the band's fame. Produced as museum quality archival pigment prints from the original
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