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Material and illusion
The forms could be construed as figures in space –standing
watercolors
reflective of nature itself
Each layer of paint is like a veil
#1742 Louise Blyton Material and illusionBoecker begins each new work by penciling in his composition. But the work ultimately is about the colors and layers that will evolve on the surface over time. He builds his paint up in a slow process, adding layers of color then partially removing them, allowing the echoes of erosion to remain visible in the final work. The gradual accumulation of pigment conveys a visual sense of depth, while also communicating a bittersweet emotional feeling that
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