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Between 1679 and 1707
Govardan's painting of Akbar shows the Mughal emperors in old age
This painting was made when Abu’l Hasan was still living in Mandu (before he was invited by Jehangir to the royal court) and uses gouache heightened with gold leaf on a fine woven cotton canvas
His psychologically penetrating portraiture and swelling forms suggest that he studied with Basawan
While Abu al-Hasan’s career aligned with developments in the style of Mughal paintings
The Curse of Sati The Royal Aviary Between 1679 and 1707JTNDdWwlMjBjbGFzcyUzRCUyMm5hc2EtdGFicyUyMG5hc2EtY2xhc3NpYy1zdHlsZSUyMG5hc2EtY2xhc3NpYy0yZCUyMiUzRSUwQSUzQ2xpJTIwY2xhc3MlM0QlMjJuYXNhLXNpbmdsZS1wcm9kdWN0LXRhYiUyMGRlc2NyaXB0aW9uX3RhYiUyMG5hc2EtdGFiJTIwYWN0aXZlJTIwZmlyc3QlMjBsYXN0JTIyJTNFJTBBJTNDYSUyMGhyZWYlM0QlMjJqYXZhc2NyaXB0JTNBdm9pZCUyODAlMjklM0IlMjIlMjBkYXRhLWlkJTNEJTIyJTIzbmFzYS10YWItZGVzY3JpcHRpb24lMjIlMjByZWwlM0QlMjJub2ZvbGxvdyUyMiUzRSUwQU1hdGVyaWFscyUyMFVzZWQlM0MlMkZhJTNFJTNDJTJGbGklM0UlM0MlMkZ1
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