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What is a good world? Internationalisation in a post-Covid society delete a room of fiction

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Description

a room of fiction

In its very format

Cady Noland and Steven Parrino

Serpens_x000D_(2007)

multiplied and hybridized in As Deep as I Could Remember

What is a good world? Internationalisation in a post-Covid society delete a room of fictionThis essay series attempts to stimulate the debate about the moral challenges that internationalisation confronts us with, both in the Netherlands and abroad, and in particular for Artist in Residencies (AIRs). The publication is a reflection on how the crisis is reconsidering our international ambitions, starting from a post COVID society. Internationalisation is an inevitable reality, inherent to the art landscape. The current time calls for a

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