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patterns and synchronicities
connessa alla consapevolezza di una crisi delle pretese filosofiche di conoscenza e di universalità
the twenty-first century presents itself with totally original and contradictory features
we later find Barbie shifting to a boyish appearance by cutting her iconic hair and putting on a suit and tie
accompanies the exhibition at Cortesi Gallery
1864 CD and Vinyl patterns and synchronicitiesIn 1864, Matthew Brandt recreates George N. Barnards 19th century images of a devastated, post Sherman Atlanta. Using source imagery housed at the Library of Congress, he makes new albumen photographs from Barnards images. Fortifying the foundational ingredients of the 19th century albumen print egg whites, silver nitrate, and salt with peaches, sugar, flour, cinnamon, and butter, Brandt plays with external assumptions about the South, at the same
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