Spike #80 – The State of the Arts delete this text focuses on the

this text focuses on the impact of the contemporary value-ornament on today’s makers and users revealing potential for future alternatives

from a form of resistance developed by Italian Autonomists to its aesthetic application as a mode of refusal

But something happened in the nineteenth century: we moved from a society of artisans to a society of industrialists

funding of big game expeditions

or ceiling which together create an imagined room displaying a printed exhibition

Spike #80 – The State of the Arts delete this text focuses on theSpike Art Magazine, founded in 2004, is a place for criticism and unconventional ideas, mixing writing on themes urgent and forever unresolved, from Web3 and After Beauty to Plants and Patriarchy. As a print quarterly, a digital broadside, and an event space, Spike offers a soapbox to cultural critics and literary essayists to chronicle our time in thought. Spike is also visually splashy, by turns pushy, poetic, unexpected and not shy to start an