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drowned tragically in a Venetian canal in 1642
Cleaning also permitted a clearer appreciation of Rembrandt's confident sweeps of the brush and thickly applied 'impasto' paint (see
Saint Ignatius of Loyola (1491-1556)
resembles that of Saint Francesca Romana
was probably carefully worked out in the early 1630s until the artist was happy with the final composition
The Crucifixion Frame:black drowned tragically in a VenetianThe composition derives from a type established by Quentin Metsys (see particularly his 'Crucifixion' in the National Gallery of Canada, Ottawa), but the picture does not seem to be the work of a close follower and probably dates from the late sixteenth century.
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