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covered over
despite its multiplicity
Each successive painting took on its own identity completely apart from the source materials
hard-edged shapes on solid-colored fields
The process involves mixing two or three colors on the canvas
Shadow Boxer (D.3) Macha Poynder covered overThe Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between
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