Mer hahn en neue Oberkeet. Cantate burlesque (Bauernkantate), BWV 212（ヴォーカル・スコア） ゲオルク・フィリップ・テレマン the King of Persia

the King of Persia

but its attribution to Haydn is disputed

corresponding to the purpose of the particular performance) and basso continuo

Gower: Desiderium (A Spiritual Quadlibet: Steal away

Bach also performed the first part of the cantata later with minor revisions

Mer hahn en neue Oberkeet. Cantate burlesque (Bauernkantate), BWV 212（ヴォーカル・スコア） ゲオルク・フィリップ・テレマン the King of PersiaThe Peasant Cantata BWV 212 is unique in Bachs cantata output both in content and musically. Although it belongs to Bachs homage cantatas, the text deals only indirectly with praise for a new chamberlain. Rather, the eloquent characters portray situations from rural life, which are also reflected in the music: Bach often drew on well known dance movements and folk tunes. Because of this the cantata as a whole seems less academic than his (surviving)