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Cujus animam gementem: Tenore
The six cantus firmus compositions presented here are found in a songbook inscribed with the ex-libris: „Liber Fridolini Sichery“
and possibly as many as seven of Johann Ernst’s violin concertos as concertos for harpsichord or organ
raised in the respect of the original text – a due respect given the many inappropriate and misleading additions piled up in centuries – the listening of this transcription offers us a great opportunity for enjoying Pergolesi’s masterpiece in a different perspective
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Charles Avison: 12 Concertos in Seven Parts, Vol. II (Cto. 3 & 4) Editions (also digital):Vol II, Score (digital) Cujus animam gementem: TenoreA personal link will be sent to you within 24 hours to download the digital score The 12 concerti grossi published in 1744 by Charles Avison are arrangements made from harpsichord sonatas by Domenico Scarlatti. Although the 12 Concertos are arrangements, the pieces are imprinted more strongly with Avisons style than Scarlattis. It is interesting to observe how Avison transformed these solo harpsichord pieces into orchestral works Concerto grosso for 7
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