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This cantata for the 14th Sunday after Trinity was composed in August 1723 and is from Bach’s first cycle of cantatas for Leipzig
This work soon found widespread acceptance beyond the originally intended sphere of its origins
16th–18th century Italian
in his opulently scored composition Franck provides commentary to the words of Jesus with excerpts from the Old and New Testaments as well as from portions of the "Stabat Mater"
as well as concertante and fugal choruses
Zwei Lieder aus dem Nachlasse 聖母マリア This cantata for the 14th
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